|
Architecture
Innovative government buildings: "rebellious"?Posted by Alice Xin Liu on Sunday, May 31, 2009 at 7:13 PM
Art and Design magazine (CN11-3909/J) is the recognized "high-end" erudite magazine which deals with innovations in the eponymous field as well as art-related photography, books and information. The May issue, though, concentrates a little on "civil society" and in its back pages a feature about "innovatively designed" government buildings. The editors have picked buildings which go down a "rebellious route", for example the People's Court of Zhujiajiao (朱家角) in Shanghai (left; top), the Harbin Science and Technology Development Center and the Songshan Lake Management Committee project in Dongguan. Interviews with several of the architects and building planners were conducted, and below is a translation of one interview. Dongguan Songshan Lake Management Committee project (2005)Interview with project planner Zhu Rongyuan (朱荣远)Q: This project at Songshan Lake is very interesting: it is unlike the government, or yámèn (衙门) buildings in the traditional sense: large and prestigious. Instead it has the feeling of being scattered. Please tell me why you decided to design a governmental project in this way? The new city in Songshan Lake area has architectural forms that are non-traditional and in line with the macroscopic environment of Songshan Lake. It was also encouraged by the new city's management committee - innovative systems and environments. Q: This kind of change in design and planning - does it have anything to do with the government? Q: What were their ideas on the planning and design of the project? Did they still want to show some kind of "authority"? The current government office building is the consensus between the government and the planner and architect. Q: When the other party didn't agree with your thoughts, how did you "mediate"? Q: Some voices say that during the project they had to obey the "superior's will" sometimes. Is this true? Q: What do you think the problem is with traditional government architecture is? I mean, why should we innovative on the traditional aspects of government architecture? This "rebellious" architecture also presented its own problems, which are new: for example, the economics of building from the graphics, and the practicality of the design etc. But these problems, with the inspiration of innovation and planning of the macroscopic environment and the success, are positive. |
Partner Links
Jobs in China
Recent Comments
Henry on
The Eurasian Face
Caroline W on
Big in China
Michael on
Julia Lovell on translating Lu Xun's complete fiction: "His is an angry, searing vision of China"
Brandon K. on
Clueless academic takes on popular fantasy novels
China Media Timeline
Major media events over the last three decades
Danwei Model Workers
The latest recommended blogs and new media
From 2008
Books on China
The Eurasian Face : Blacksmith Books, a publishing house in Hong Kong, is behind The Eurasian Face, a collection of photographs by Kirsteen Zimmern. Below is an excerpt from the series:
Big in China: An adapted excerpt from Big In China: My Unlikely Adventures Raising A Family, Playing The Blues and Becoming A Star in China, just published this month. Author Alan Paul tells the story of arriving in Beijing as a trailing spouse, starting a blues band, raising kids and trying to make sense of China.
Pallavi Aiyar's Chinese Whiskers: Pallavi Aiyar's first novel, Chinese Whiskers, a modern fable set in contemporary Beijing, will be published in January 2011. Aiyar currently lives in Brussels where she writes about Europe for the Business Standard. Below she gives permissions for an excerpt.
Front Page of the Day
A different newspaper every weekday
From the Vault
Classic Danwei posts
+ Korean history doesn't fly on Chinese TV screens (2007.09): SARFT puts the kibbosh on Korean historical dramas. + Religion and government in an uneasy mix (2008.03): Phoenix Weekly (凤凰周刊) article from October, 2007, on government influence on religious practice in Tibet. + David Moser on Mao impersonators (2004.10): I first became aware of this phenomenon in 1992 when I turned on a Beijing TV variety show and was jolted by the sight of "Mao Zedong" and "Zhou Enlai" playing a game of ping pong. They both gave short, rousing speeches, and then were reverently interviewed by the emcee, who thanked them profusely for taking time off from their governmental duties to appear on the show.
Danwei Archives
Danwei Feeds
Via Feedsky
or Feedburner |




