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Film
China Film JournalPosted by Jeremy Goldkorn, March 12, 2008 3:48 PM
China Film Journal is a new "bilingual website dedicated to Chinese-language cinema from around the world ... The Founding Editors of China Film Journal are Peijin Chen [of Shanghaiist] and Erick Peterson." |
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Tales of Old Hong Kong: The new Tales of Old Hong Kong compiled by Derek Sandhaus is available at Earnshaw Books.
Diamond Hill by Feng Chi-shun: Feng's memoir Diamond Hill describes an era of gambling and gangsters, Suzie Wong and squatter villages, fires and food stalls, and the Kowloon Walled City and its white powder. "A time when people were poor, but life was rich," he says. The world that he grew up in no longer exists, but his book - the first ever on the Diamond Hill refugee settlement, in either Chinese or English - offers a candid picture of what life was like for most Hong Kong residents in the 1950s.
William A. Callahan's China: The Pessoptimist Nation: China: The Pessoptimist Nation shows how the heart of Chinese foreign policy is not a security dilemma, but an identity dilemma. Through a careful analysis of how Chinese people understand their new place in the world, the book charts how Chinese identity emerges through the interplay of positive and negative feelings in a dynamic that intertwines China's domestic and international politics.
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+ Yu Dan: defender of traditional culture, force for harmony (2007.05): Yu Dan (于丹) gets criticized by 'real scholars'. He Dong (何东) writes in her defense, saying that TV program hosts are the ones who ought to be upset. Zhao Yong in Southern Metropolis Daily writes that she upholds the mainstream government line. + Slow, polluting seniors removed from Beijing city streets (2007.01): Zhang Rui writes about a Beijing plan to ban seniors from the city's streets, with the goal of reducing gridlock among pedestrians. + Migrant worker blues: Who cares? by Bruce Humes (2006.09): Bruce Humes reviews two recent books about migrants in China: 'I Shall Shed No Tears' (我的眼泪不会掉下来) by Wang Lili and 'La Promesse de Shanghai' by Stephane Fiere.
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Comments on China Film Journal
hi, thanks for the mention. pretentious about page blurbs aside, this website is, at its core, a place for people who are interested in chinese film to talk about it, whether it be in reviews or interviews, comments, or podcasts. Although it's more or less a labor of love (ie not much revenue generating), we still hope, in the spirit of amateurism, to make it as good a site as possible.
so consider this an open invitation for people who like to gab about Chinese film—if you'd like to contribute somehow, please let us know!
I've tried to leave a comment at CFJ, but it's rejecting my suggested usernames without explanations. I was going to point out:
Sculpting in Time publicity in Weigongcun already refers to a Xi'an branch. Perhaps they have decided their arty approach sits better in ancient, culturally sensitive northern cities rather than money-grabbing southern treaty ports? :-)
China and the Fictional World of Total Recall
In wake of the 20-year anniversary of the Tiananmen Square catastrophe of 1989, The Film Crusade brings to light a film produced just one year after which shares a horrifying vision with the Chinese government in its treatment of dissent (or “terrorism”). Paul Verhoeven’s Total Recall depicts a futuristic world on Mars run by a pseudo-military-oligarchy which can control the minds and identities of its people. For the government, it is the memory and minds of its people which pose the greatest threat to the status quo since radical ideas can breed vigilantism.
[Snipped. Essay is here. --JM]