|
IP and Law
IP outlaws and the day after tomorrowPosted by Joel Martinsen, April 11, 2007 3:00 PM
![]()
Last year's reports elaborated on Li's complaints: his two plays were unpublished, but in 2002 he submitted them to China's Science Fiction World magazine and the 2003 Xia Yan Film Literature Prize. Two things distinguish this particular infringement case from the run-of-the-mill plagiarism allegations that seem to crop up every few weeks and which don't usually rate a mention here. First, the reports link the case to the American WTO complaint - Xinhua's English-language article, though less detailed than the Chinese version, mentions the US government's filing in the second paragraph. The timing's just a happy coincidence, however; according to news reports from last year, the Dongying court predicted that it would require at least 10 months lead time, and set a preliminary court date in April. Li had been gathering evidence since late 2004 and had filed his lawsuit a number of times before the court finally accepted it. Second, a bizarre fictionalized account of the affair done as a pastiche of traditional Chinese popular novels was posted to some online forums in late 2004. Li Jianmin and his friend "The Black Whirlwind" Li Kui navigate the labyrinth of Song bureaucracy to find out how the foreigners got their hands on his script. (Part I, Part II, Part III) UPDATE (2007.07.15): Xinhua announces, via AP, that Li Jianmin lost his suit: "Li could not prove that his plays were completed in 2001 and 2002, nor could he establish that 20th Century Fox had access to his plays, Xinhua said, citing the decision by the Intermediate People's Court of Dongying, in eastern China's Shandong province." Links and Sources
There are currently 2 Comments for IP outlaws and the day after tomorrow.
Comments on IP outlaws and the day after tomorrowIMHO current IP laws are outdated. It's there for the corporate fat cats. These multi-national corps. needs to learn how to profit in new ways. But hey I suppose it's the only thing America got these days. The factory jobs are else where. Food exports are meh. Cars come from Japan. Only thing worth milking are these intellectual properties, i.e movies, music and games. It's the only thing we got yo! the fellow suing fox for ripping off his unpublished (and I am sure unread) play: pissing in the wind |
Jobs in China
Recent Comments
James G on
RMB 3 million foreign douche bag in Shanghai
Joel Marti on
Yellow fever
slowboat on
Who cares about maps?
Thomas Cra on
What Robert Scoble learned in China
bocaj on
CCTV rakes in big ad money
Thomas Cra on
Con artist engineers demolition of government offices
Shaan on
The body in the lake
Danwei.TV
Danwei Model Workers
![]() Recommended blogs and new media
China Media Timeline
Major media events over the last three decades
Books on China
To die poor is a sin: An excerpt of Factory Girls by Leslie T. Chang.
In Wang Shuo's No Man's Land: Geremie Barme addresses Wang Shuo's 千万别把我当人.
Swimming with Mao, a memoir essay: This memoir piece is by Xujun Eberlein, author of the new short story book Apologies Forthcoming'.
Front Page of the Day
A different newspaper every weekday
From the Vault
Classic Danwei posts
+ Beijing's Bloody August by Geremie R. Barmé (2006.08): Two first person accounts of the beginning of the decade of chaos in the Cultural Revolution, recorded by Sang Ye and translated by Geremie R. Barmé. + People: Chan Koon-chung (2004.06): John Koon-chung Chan profiled; He is one of the most experienced players in Chinese media, having founded magazines, written and produced feature films and TV dramas, started and run a satellite TV station, and written novels, collections of essays and even a treatise on Marxist literary criticism. + Boom times for Chinese film, but what comes next? (2008.02): Oriental Outlook (瞭望东方周刊) and Sanlian Life Week (三联生活周刊) examine China's film industry.
Danwei Archives
Danwei Feeds
Via Feedsky
or Feedburner |



