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Magazines
Farewell to literary magazinesPosted by Joel Martinsen, May 7, 2008 4:05 PM
Two literary magazines bid goodbye this year. Eslite Reader (诚品好读), published by Taiwan's Eslite Bookstore, published its final issue in April before what it calls a temporary haitus, And Translation (译文), published by the Shanghai Translation Publishing House, will call it quits at the end of the year. Neither magazine has been around long enough to become an institution. Eslite Reader launched in April 2000 (its previous incarnation, Eslite Book Review, lasted from 1992 to 1996), while Translation started in 2001. But their deaths, even if temporary, have brought about yet another round of hand-wringing over the decline of literary culture. Eslite had the good manners to inform its readers in a notice from the editorial department that hinted at future plans
Translation's shut down, on the other hand, had been rumored for weeks before the Jiefang Daily finally verified the news in a 29 April report, writing, "The subscription and editorial departments finally confirmed: Translation will cease publication at the end of the year. This news has not yet been publically announced, but it is basically fixed." The paper speculated that the price of paper had something to do with the decision to shut down the magazine:
But the newspaper also reported that Translation was not easy for readers to obtain:
Translation had run the annual Casio Translation Contest for four years. The event was intended to bring up a new generation of literary translators, but no grand prize was ever awarded. Writing for Beijing's China Times, Nanshan Li paints a rather depressing picture of literary review magazines, comparing the fate of Eslite Reader to the death and resurrection of Read magazine a few years ago:
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There are currently 3 Comments for Farewell to literary magazines.
Comments on Farewell to literary magazinesI am not surprised at the demise of any of these three publications (including "Read), tho' I have been a longtime if occasional reader. Some, perhaps many, would put their lack of commercial success down to a public that reads less and less. In fact, I find it hard to find a place to sit or stand at the bigger bookstores in Shenzhen, Guangzhou and Shanghai. There are people everywhere, particularly sitting on the ground, and they ARE reading. My view of "Read," "Eslite Reader" and "Translation" is that they were products which were not commercially viable because of their content, not because readers aren't reading or are no longer interested in book reviews or intellectually stimulating writing about books. To wit: --- "Read" was a snobby literary magazine written by and for Shanghainese. I often bought the magazine, intrigued by the titles of several of the articles, only to find the editing and the writing to be faux intellectual. No meat. And why should people in other cities which don't have Shanghai's colonial history get off on such fluff? People in Guangzhou don't read much of the patriotic rubbish that passes for social commentary in Beijing, either. --- "Eslite Reader" was once a truly satisfying read for those of who like to read books, particularly history and fiction, but will settle for a tightly penned book review when there just isn't enough time to read the book in question. I marveled a few years ago at how intelligent the magazine seemed, and have never seen anything that enlightening here on the mainland. But I read two issues over the last few months, and it read more like the trendy Guangzhou-based 城市 magazine than a magazine about books, reading and the like. There was just so much rubbish about items like what kids in Harajuku were buying to wear and which portable personal electronics one simply must purchase. This is, to me, a magazine that lost focus by trying to be too hip, too cool. --- "Translation" is the only one of the three that may have lost out to books per se. The editors never seem to have the guts or the foresight to focus on one or two main themes in a single edition, e.g., Japanese detective stories or French authors writing about lesbian romance, etc. Month after month it seemed just a hodgepodge of whatever they wanted to translate, and the level of translated writing was often pretty poor. I'll bet a lot of their readers nowadays just go to a bookstore and buy a translated novel which has been recommended to them. Enjoy your coverage of the literary and publishing scene, Joel. Keep at it for all of us! Bruce Humes Thanks for the commentary, Bruce. Yeah, people are reading, but not everyone agrees that they're reading quality stuff: witness the uproar over the New York Times calling Guo Jingming "China's most successful author." He is, financially-speaking, but people don't think he deserves the title. I always liked Read's covers, and once in a while an article would be interesting. But that's a problem with lots of magazines today, not just literary reviews. I buy Phoenix Weekly every issue, but the reporting rarely lives up to the cover design. Here on the mainland I never had the good fortune to read Eslite. The mainland market for translations seems to work much in the same way you describe Translation's editing: a lot of it is random publication of whatever they have on hand. These days, I keep tabs on lots of blogs that do reviews, many of which I've found through Douban, and that's all well and good, as far as it goes. but it's rare that I'll come across a truly satisfying piece of criticism. Be sure to let me know if you have any good leads. I usually visit 译言. |
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