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Magazines
Rock attitudePosted by Joel Martinsen, August 28, 2008 7:25 PM
The Shijiazhuang-based music magazine So Rock! (我爱摇滚乐) can usually be counted on to deliver an eye-catching cover every month (this issue, from 2005, is a little more shocking than the one shown here). The print quality and layout of the magazine have risen substantially over the past few years, so it doesn't resemble a zine as much anymore. It's still outside of the official periodical system, though: So Rock is a free supplement that comes with the purchase of an 18-yuan mix CD from So Rock! Records, and lacks a periodical license number of its own. This month's issue features an interview with Paul Draper of Mansun done jointly with the web-based Mansun fanzine "Greyzine." With the assistance of fans in China, Draper keeps a Baidu blog where he posted his lengthy answer about why he wore a PLA insignia (that interview question doesn't show up in So Rock). The magazine also talked to Liu Kun of Low Wormwood (低苦艾) and experimental saxophonist Li Tieqiao (李铁桥). The first two-thirds of the magazine is music-related. The remainder is a mixture of jokes and funny photos from the Internet, quirky news, odd opinion pieces, snarky political analysis, and film and book reviews. This issue reviews three books. Patrick Modiano's Rue des boutiques obscures (暗店街, translated into English as "Missing Person") is known to Chinese readers from a reference in one of Wang Xiaobo's stories as well as its influence on Wang Shuo's Playing for Thrills. There's also a review of Demented Art: Report on Chinese Mental Patients' Art by Guo Haiping, a contemporary artist who worked with eleven patients over the course of three months at a Nanjing mental hospital. The magazine also takes a look at one of the hottest unpublished books of the summer: China: Twilight of the Miracle (中国:奇迹的黄昏), by Yuan Jian. The book was completed around 2005 but failed to find a publisher, so Yuan, former executive editor of Directors and Boards magazine, posted it to his blog earlier this year. Twilight paints a pretty bleak picture of China's future after three decades of economic reforms. An entrenched bureaucracy propelled by self-interest has driven itself into an impasse, leaving continued economic progress perched precariously on the edge of a cliff. In the preface, Yuan writes that the book is based on a previous work, Shifting China, which he wrote in 1995 but was unable to publish. What makes Twilight so sensitive, besides the indictment of the country's "bureaucratic interest groups," is Yuan's insistence on incorporating the economic, political, and social fallout from the Cultural Revolution and the Tian'anmen Movement (his term) into his discussion of the country's changing circumstances and the uneasy relationship among urban intellectuals, rural residents, and the government bureaucracy. Online reactions suggest that his descriptions of factions scheming for control resonates with the same reading public that made Currency Wars into a best-seller earlier this year. The So Rock critic writes:
Yuan previous book A Critique of China's Securities Markets (中国证券市场批判), dealt with similar themes but was more focused on the financial system rather than society in general. Twilight has been scrubbed from many of the blogs and forums it was posted to, but it's available for the time being on Xiaoshuo.com. Links and Sources
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Comments on Rock attitude
Hey Joel,
nice piece. I can't seem to find 奇迹的黄昏 online. Any links?
Cheers
Iacob
Thanks, Iacob. The link's right at the end of the post.
But the links don't open
Odd. No problem over here. Xici has a post with an archive of .doc files; an HTML version is here; this blog serialized all but the final chapter (which has lots of the sensitive stuff).